People do you hear me, just give me the sign,
It ain’t much I’m asking, if you want the truth
Here’s to the future for the dreams of youth,
I want it all, I want it all, I want it all, and I want it now
I Want it All – Queen
Those who casually claim that ‘youth is wasted on the young’ – have not experienced the recent incarnation of Queen . If their (July 28th) performance at the ACC in Toronto is any indication – the young people I saw seemed fully aware and appreciative of the musical brilliance of the rock royalty (Brian May, Roger Taylor) and the ‘new guy’ (A-Idol sensation Adam Lambert) on dazzling display before them.
In fact, I would argue that, for a few brief hours, time stood still for the throngs of aging boomers as well as those weaned on reality TV, mobile phones and social media. That’s the beauty, or should I say ‘booty’ for today’s slick concert promoters and performers – the ability to woo and mesmorize both the hipster and hip replacement generations simultaneously.
Oh sure, 21st century photo and lighter apps flickering on omnipresent pocket phone screens may have replaced instamatics and butane lighters at today’s pyrotechnic-laden performances, but they’re just fluff. What really resonates with the faithful, what no computer-generated app can recreate – is the live concert experience.
It was and it wasn’t Queen on stage at the ACC. May and Taylor are perennial ‘lions in winter’ who can still bring down any house, anytime, anywhere with searing guitar riffs and commanding drum solos. And as much as some people like to compare them – Adam Lambert is NOT Freddie Mercury, nor, thankfully, does he pretend to be.
It’s the purity, genius and grace of iconic songs like Love of My Life and Bohemian Rhapsody that seized the collective attention of the audience. No easy task considering that most of today’s concert goers have the attention span of a tse-tse fly hooked on meth. More importantly, for those of us who remember Queen of the 70’s and 80’s – their songs and music likely evoke memories of special moments with loved ones from a romanticized, though now distant past.
It’s the flair for theatrics, musical and vocal talent and ‘fire in belly’ of Lambert, May, Taylor and company that win the day. But more than that, it’s their ability to reimagine and recreate the classic Queen songs, in a way that holds the audience spellbound. By refusing to try and clone Freddie, an impossible task, this version of Queen is able to seize the glorious past, present and promising future and hold it all, briefly, in the palm of their hands.
In the end, if they are at all like me, I believe many of the excited and exhausted fans leaving the ACC (especially the energetic young woman in the seat beside me who stood, hollered, danced and sang for most of the concert) could say that they ‘had it all’, at least for a few magical hours.
Photo Credit: wikipediacommons